Her latest, Landline, is classified as an adult book, but like her YA titles, there is no set age required for entry. Landline tells the story of a marriage floundering in the wake of career, kids, and the daily grind. Rowell uses a trick of time to allow her main character, Georgie, to revisit how she and husband Neal found each other and the final hurdle that resulted in a proposal. Simultaneously, Georgie experiences present day self-doubt, questioning if they should have ended up together in the first place but seeing all the things she loves about Neal in new light.
Whether you can relate to the marriage or not, at the end of the day it's a story about how two quirky, flawed people can fall in love and take that leap of faith more than once in the same relationship.
I sent Rowell some questions about the book and other things I wanted to know via email:
Seira Wilson: Have you been thinking about/working on this book for a while? Was Landline always the title?
Rainbow Rowell: I have, yeah. I started plotting it at the same time as Fangirl. I'm not sure why I wrote Fangirl first — maybe because it felt lighter. Maybe because I thought someone else was bound to write a great novel about a fanfiction writer.
I always knew this book would be called Landline. I thought that was such a great title for a novel — I couldn't believe it was up for grabs.
SW: There's a pivotal point in Neal and Georgie’s relationship that Georgie revisits—what moment does that remind you of in your own life (in a relationship or otherwise)?
RR: Hmmm ... My husband and I never had a breakup the way Georgie and Neal do. But there was a time when we had to decide what to do if we got jobs in different places — and we decided to move together.
SW: Do you have an old-school phone like the yellow one in Landline? A Metallica t-shirt? What meaningful object do you have, or wish you had, from the late 90s?
RR: I have an old red rotary phone. [um, soo jealous of this! SW]
I don't have a Metallica T-shirt, but that was a nod to my husband who loves Metallica.
I actually have tons of stuff from the '90s. I still have my favorite shirt, and my favorite vintage sports jacket. I have watches. Stationery. A pair of purple-with-red-ladybugs Doc Martens mary janes.
I have a hard time letting go of things.
RR: Oh, good question!
Eleanor has my stubbornness. The way she does things that she knows will make her stand out — even though she doesn't really want to stand out.
Cath has my anxiety. And my tendency to lose myself in fiction. Also my taste in emergency dance music.
Beth has my sense of humor. When I was writing Attachments, I gave her every joke I'd make myself. (She also has my arms.)
Georgie is good in a room. I'm also good in a room -- even if I'm more terrified than Georgie ever is. And she has my work/family tension. I've never been in her situation, but I know what it's like to feel like there isn't enough of me to go around.
SW: You’ve written two adult books and two YA books that adults also love—do you approach the writing differently?
RR: No, I don't. I just try to get inside the characters' heads and see the world the way they would see it.
SW: I’m going to Disney World this fall with my 7-year-old and I see from your bio that you like to plan trips there—what three things should be on our “must-do” list? Are you a roller coaster person, and if so, loops or no loops? What about Disney World do you most enjoy?
RR: Ha! I love Disney theme parks. I love the theming, the attention to detail, the way every design element — and every sound and every smell — help tell the story.
I'm not much of a roller coaster person, but Disney isn't about thrill rides anyway.
I have a 7-year-old, too, and a few of our musts are: It's a Small World (because it's gorgeous); the night-time castle show (magical!); and the Norwegian bakery in EPCOT (try the school bread).
SW: What are you working on now/next?
RR: I just finished the first draft of a YA fantasy, so I need to revise that. I think it will be out next fall (unless my editor hates it). And I'm working on the screenplay for Eleanor & Park.